Tom Minter's Off The Stoop Blog

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In The Smoke Of The Sting .. a journey of ‘otherness’ for Pianist & Baritone

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..woke now -to the changes in directions buffeting country and personal journey..

Fully woke. And working.

It is my honor to be in process of collaborating with two esteemed artists -Ms Dana Kristina-Joi Morgan, and Jarrod Lee- in a performance piece I have written for Washington National Opera entitled “In The Smoke Of The Sting”, a music journey which threads the words, determination, and courage of three Champion boxers -Joe Louis, Emile Griffith and Muhammad Ali- through music and poetry, and arias from operas written about these men.
The intimacy of this salon piece invites us all to experience the nature of discrimination that was a daily fight to these men, who endured the truth that being titled ‘Champion’ did little to stop the public’s disquiet at such prominent ‘otherness’.
Current dates/locations of presentation that I will update should there occur any changes:
2/14/2017, 10:30 am, Anacostia Library
2/15/2017, 12:00 pm, National Postal Museum
2/18/2017, 2:00 pm, Takoma Park Library
2/22/2017, 10:30 am, Francis Gregory Library
2/24/2017, 6:00 pm, The Sitar Arts Center
2/26/2017, 3:00 pm, Westminster Presbyterian Church
2/28/2017, 7:00 pm, Shaw Library
3/1/2017, 7:00 pm, Petworth Library
3/2/2017, 2:00 pm, Bellevue Library
3/7/2017, 7:00 pm, Woodridge Library
3/9/2017, 7:00 pm, Mount Pleasant Library
3/14/2017, 7:00 pm, The Hill Center
…the energy and focus of Dana and Jarrod speak to how fierce artists work under & through all conditions – and capture attention, with fierce artistry!

Ensemble Studio Theatre is giving BREATHING ASH breath..

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..exciting -excited! -and feeling proud.

Through longstanding support of Bob Jaffe, Ensemble Studio Theatre is giving my play Breathing Ash a workshop, and then rehearsed reading, on Tuesday the 25th October.

The company have gathered a terrific group of actors, and I have a fearless and deep thinking director in Christopher Burris!

More to come on the details and journey of this work, whose themes and narrative profoundly resonate, in the chilling nature of culture today..

 

Written by tomminteroffthestoop

September 22, 2016 at 8:51 AM

NPR does a profile of my students in the NPG Portraits Alive! program

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..in this season of unprecedented politics, my students in the National Portrait Gallery’s program Portraits Alive!, bring their concepts of leadership to the fore -and are profiled by NPR..

An incredible group of hard working young minds, making sense for themselves, a way in which the past resonates in the shape of the future..

I am so proud of them!

 

NPR Profile: At The Portrait Gallery, Students Tell The Stories That Pictures Can’t

Youth’s take on leadership

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I am fortunate; it is my third year with the National Portrait Gallery’s program Portraits Alive!

Having the opportunity to participate in the construct of what students will be addressing this year, I sought to find the model by which to investigate their concepts of ‘civic duty and ‘social responsibility’.

Students would choose sitters, whose portraits are part of the NPG collection, who best exemplified such ingredients of character and informed their definition of ‘leadership’.

With these choices made, students were to create 2 to 3 minute monologues of characterization, in the aspect of their sitter, which would then be delivered in front of the corresponding portrait and enacted as part of an open opportunity for the museum’s daily audience.

These presentations are well publicized and have a faithful following –but it is always a delight to find impromptu interest drawing in the many unsuspecting others who have happened into the museum on the day! Whether families, tourists, summer school excursion groups, or local workers seeking a lunch hour refuge –the experience of the Portraits Alive! Student voices tour offers a dimension of exhibition as entertainment, which is very much a part of the NPG’s array of enrichment programs designed to engage a broad breadth of audience who visit the museum with a diversity of interests.

This summer our young presenters weave a tapestry of expression and social consciousness that resonates with the state of America; moving from portraits of Richard Nixon, to Sylvia Rivera, Russell Means and Jane Adams –to name a few- students give expression to different decades of cultural engagement, across passionate personalities, who ultimately wind up articulating the wrestling tensions of scope that continue to seek to twine into our national narrative of political character and democracy.

 

The 2nd session’s presentations will be given in the first week of August, and are open to the public.

 

The initial session’s presentations were given in the 2nd week of July. These are some photos of the journey!

 

Some costumes

Some costumes

 

Captivated crowd

Captivated crowd

 

Ensemble and audience

Ensemble and audience

 

Written by tomminteroffthestoop

July 22, 2016 at 9:47 AM

Kennedy Center Millennium Stage: Washington National Opera preview of APPOMATTOX

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..ahead of the current production premiere of Philip Glass‘s opera APPOMATTOX, I was asked by Washington National Opera to sculpt a thread of narrative to give some context to music, and resonant issues of civil war/civil rights.

 
The result was an entirely collaborative effort with WNO’s music Administrator, Ken Weiss, participation by Domingo-Cafritz Young Artists, and Greg Watkins, as the event’s Narrator, in a program of readings and song, presented on the Kennedy Center’s Millennium Stage.

 
The evening’s performance was streamed live by the Kennedy Center.

Portraits Alive! Summer 2015

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..an amazing program continues at the National Portrait Gallery, here in DC -and wonderfully enough, I was brought back as a facilitator this summer.

A very talented group of students grappled to find meaning deep behind the ‘portrait plaques’, and in the character of their chosen sitter – inevitably meaning a journey of their own in discovering the dynamic complexities of ‘success’, and empowerment.

 

Another step of Blues..

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..beyond the averages; Blues has had three important iterations in a twelve month period, and for a ‘new work’, that is remarkable.

Such a swift journey has also afforded opportunity for me to whittle in on specific changes that I feel the need to engage in with this piece, as it is new, and as every time there is the chance to see it ‘standing’, I get to view a further shading in its stance.

Blues has a very far reach into a layered presentation of narrative; it requires fierce musicians – fearless actors – and visual artists of a unique coalition -all of whom play in a rhythm of words and music, through image and a prism of history.

With this last iteration of the work, presented for Stanford in Washington’s winter Arts Track students and guests, I was able to excise a ‘full thought’ of exchange, creating fodder for a potential Education plank, in that much of the material in the back half of Blues resonates with racial, social, and ideological conflicts that were manifesting in the late 60’s.

Clearly etching this, is the opportunity presented for characters of the play, at the time of Billy Strayhorn’s death, which occurred in 1967 – two years after the assassination  of Malcolm X, and a year before the assassination of Dr. Martin Luther King Jr...

This specific moment in time is the ledge separating activism from rage; a breath, at the fulcrum, where civil disobedience was tenuously balanced against the unthinkable of chaos; that breath, shortly venting in confrontation and violence that would not only engulf U Street in flames, but would inform a new dynamic to the cry of “Black Power”.

..this is the texture that articulates in the play’s timeline and is resonant in every moment of exchange in Act II.

With Greg Watkins, Scott Patterson, and Bina Malhotra reprising their roles of BILLY STRAYHORN, DUKE ELLINGTON and LENA HORNE, respectively, and Joy Jones – who was originally ELLA in Act I – now informing the character of the REPORTER – rehearsals began with a base line of familiarity that allowed for deeper investigations into the ‘temperature’ of the dialogue and exchanges between the characters.

..this is the fullest measure of the gift – not only being able to have successive iterations of the work in a short amount of time, but also to have a troupe of professionals who bring with each iteration the discoveries of content and character, and commit to the endeavor which allows for deeper mining of nuance.

This particular presentation was given in the Langston Hughes Room, in the 14th Street Busboys & Poets – whose location, just beyond U Street, NW, is literally less than a block from the very history that is epilogue of the play; it was at 14th & U streets NW, in the wake of the assassination of Dr. Martin Luther King Jr., on April 4th 1968, that flames, ignited by members of its own community, ravaged the area.

But DC was not the isolated event; between 1965 and 1967, endemic frustrations had already lit firebombs, leaving engulfing beacons of outrage to cross the states (Los Angeles; Chicago; Newark; Detroit) ..

-and it is in each edifying chance of presentation, that Blues For A Royal Flush gains its fluency to speak to context; it strides into a fissure of opportunities that were exceptional, significant, and as dynamic as any seismic shift of chord.

 

Bina Malhotra as LENA, Scott Patterson as DUKE, Greg Watkins as BILLY and Joy Jones as REPORTER/BLUES at Busboys and Poets - Feb 9, 2015/Kristenn Stipanov, photographer

Bina Malhotra as LENA, Scott Patterson as DUKE, Greg Watkins as BILLY and Joy Jones as REPORTER/BLUES at Busboys and Poets – Feb 9, 2015/Kristenn Stipanov, photographer

Greg Watkins as BILLY/BLUES at Busboys and Poets - Feb 9, 2015/Kristen Stipanov, photographer

Greg Watkins as BILLY/BLUES at Busboys and Poets – Feb 9, 2015/Kristen Stipanov, photographer

Bina Malhotra as LENA, and Joy Jones as REPORTER/BLUES at Busboys and Poets -  Feb 9, 2015/Kristen Stipanov, photographer

Bina Malhotra as LENA, and Joy Jones as REPORTER/BLUES at Busboys and Poets – Feb 9, 2015/Kristen Stipanov, photographer

Scott Patterson as DUKE, and Bina Malhotra as LENA/BLUES at Busboys and Poets - Feb 9, 2015/Kristen Stipanov, photographer

Scott Patterson as DUKE, and Bina Malhotra as LENA/BLUES at Busboys and Poets – Feb 9, 2015/Kristen Stipanov, photographer

Scott Patterson as DUKE, and Joy Jones as REPORTER/BLUES at Busboys and Poets - Feb 9, 2015/Kristen Stipanov, photographer

Scott Patterson as DUKE, and Joy Jones as REPORTER/BLUES at Busboys and Poets – Feb 9, 2015/Kristen Stipanov, photographer